Winner: Beyoncé – “Formation” (Editor: Jeff Selis)įergie – “M.I.L.F. Winner: Beyoncé – “Formation” (Cinematographer: Malik Sayeed)Īdele – “Hello” (Cinematographer: André Turpin)ĭavid Bowie – “Lazarus” (Cinematographer: Crille Forsberg)Īlesso – “I Wanna Know” (Cinematographer: Corey Jennings)Īriana Grande – “Into You” (Cinematographer: Paul Laufer) Tame Impala – “The Less I Know The Better” (Director: Canada) Winner: Beyoncé – “Formation” (Director: Melina Matsoukas)Ĭoldplay – “Up&Up” (Director: Vania Heymann, Gal Muggia)ĭavid Bowie – “Lazarus” (Director: Johan Renck) Pharrell – “WTF (Where They From)” (Choreographer: Hi-Hat)īeyoncé – “Sorry” (Choreographer: Chris Grant, JaQuel Knight, Dana Foglia, Anthony Burrell, Beyoncé Knowles Carter)įKA Twigs – “M3LL155X” (Choreographers: Aaron Sillis, Benjamin Milan, Kenrick Sandy and FKA twigs)įlorence + The Machine – “Delilah” (Choreographer: Holly Blakey) Winner: Beyoncé – “Formation” (Choreographer: Chris Grant, JaQuel Knight, Dana Foglia) $” (Production Designer: Alexander Delgado)ĭrake – “Hotline Bling” (Production Designer: Jeremy MacFarlane)Īdele – “Hello” (Production Designer: Colombe Raby) Winner: David Bowie – “Blackstar” (Production Designer: Jan Houllevigue)īeyoncé – “Hold Up” (Production Designer: Jason Hougaard)įergie – “M.I.L.F. Destiny’s Child & Brandy – “The Girl Is Mine” Winner: Calvin Harris & Disciples – “How Deep Is Your Love”ĩ9 Souls ft. Nick Jonas featuring Ty Dolla $ign - “Bacon”įall Out Boy ft. The Chainsmokers featuring Halsey - “Closer” Major Lazer featuring Justin Bieber - “Cold Water”Ĭalvin Harris featuring Rihanna - “This Is What You Came For” Justin Timberlake - “Can’t Stop The Feeling” Winner: Fifth Harmony featuring Fetty Wap - “All In My Head” Lil Wayne – “Let Me Love You”Ĭalvin Harris ft. Ty Dolla $ign – “Work From Home”Īriana Grande ft.
#Royalty chris brown album download zip dopefile full
Below is the full list of winners at the MTV VMAS 2016. She even had two nominations in one category (BEST CHOREOGRAPHY) and naturally one of her nomination (Formation) got that one. Strangest is hearing the sampled Alicia Myers sing "I want to thank you, heavenly father" - from her devotional boogie classic "I Want to Thank You" - as an intro to Brown's womanizing mischief with Lil Jon.The annual MTV Video Music awards which took place last night at Madison Square Garden NY saw Beyonce winning big. All of the referenced classics, from "I Love Your Smile" ( Shanice) and "Back & Forth" ( Aaliyah) to "Back That Azz Up" ( Juvenile) and "Grindin'" ( Clipse), are handled clumsily. The clear interpolations and samples elsewhere are mostly obvious, altogether making for a selective history of black radio hits dating back to the early '80s. It seats well over a dozen, including veterans such as Juicy J and Tank, the emergent likes of Gunna and Ink, and much of the Young Money family, whose Nicki Minaj is on the New Orleans bounce-indebted "Wobble." Most welcomed of all is H.E.R., who outclasses everybody on the glowing "Come Together." On his own, Brown tends to tread water, but there's one major exception - a career highlight - in "Back to Love," a sweetly remorseful number with hints of Off the Wall/ Thriller-era Michael Jackson. What truly sets the album apart is the large carousel of featured artists. Across the two discs, Brown keeps much of the same co-songwriting and production company - Scott Storch, Eric Bellinger, and Boi-1da among it - and adds some new faces to the mix. One of them is from "Side N*gga," where the protagonist sounds happiest. "He was dumb as fuck" and "I can do what your man just can't do" are two of the less extreme examples.
The length also enables Brown to take numerous competitive digs at the lacking intelligence and sexual ability of various men as they relate to his object of affection.
Pleasure-seeking club tracks, entitled slow jams, tormented ballads, and yearning pop-R&B love songs - the last of which still match up best with his voice, virtually unchanged during the last decade - are all plentiful. That still allows more than enough space for the singer to sufficiently cover each one of his modes. Not quite as extravagant as the preceding Heartbreak on a Full Moon, Chris Brown's tenth album is merely two hours in length.
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